Though it remains cool and damp with frequent rain showers, the evening Metre presents a splendid orchestration of green shades and shapes lit here and there by soprano notes of magenta and yellow and basses of dark purple and brown. There are highlights and shadows, silvered droplets and quantum entanglements of leaf and air.
Writing, as I often seem to do, about the indescribable complexity of late spring M3 brings the artist Monet to mind and the way he painted and re-painted his lily pond and other subjects: always different and always the same.
In front of North Wall the marmite green bottle brushes of ripening sweet vernal grass spikes remind me of Australian callistemons.
As though to echo my own ruminations the sorrel, the ragwort and the birch have all reached to about one metre tall, all seem to stand within an invisible cube or a ball of air.
The birds sing, the bees hum, the midgelets bite my head. It is the first evening of another month, the month when haymaking starts, the month of midsummer.
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